Matt Jones’ The City is a Battlesuit for Surviving the Future examines urban architecture, science fiction, futurism, and comic books.
The city of the future increases its role as an actor in our lives, affecting our lives. This of course, is a recurrent theme in science-fiction and fantasy. In movies, it’s hard to get past the paradigm-defining dystopic backdrop of the city in Bladerunner, or the fin-de-siècle late-capitalism cage of the nameless, anonymous, bounded city of the Matrix. Perhaps more resonant of the future described by Greenfield is the ever-changing stage-set of Alex Proyas’ Dark City.
For some of the greatest-city-as-actor stories though, it’s perhaps no suprise that we have to turn to comics as Archigram did – and the eponymous city of Warren Ellis and Darick Robertson’s Transmetropolitan as documented and half-destroyed by gonzo future journalist-messiah Spider Jerusalem.
[via putting people first]